Zaza MINSSEN - Not ready to wear , May 2008

Back from a hot date
WHAT WOMAN HAS NEVER DREAMED OF FASHIONING HER OWN PRINCESS' DRESS ?
Zaza Minssen’s two passions have taken form on large scale canvas.
The
French painter has been interested in painting isolated objects taken
out of their context for several years. She works on the representation
of objects and extracts them from their environment to give them new
life.
A CONTEMPORARY ENCOUNTER BETWEEN ART & FASHION
In this show she tackles the subject of fashion with extreme liberties
and a daring attitude which gives her dresses a dimension that is
blurring all our references. Are they the beautiful dresses we would
not wear because they would look better on models? Are they destroyed
just enough to tell us that the whole idea of beauty in fashion
issuperficial? Are they a window on our inner desires? By creating
desirable objects that we cannot wear but just look at, Z.Minssen
forces us tothink about our relationship between fashion and beauty. It
looks that her response to superficiality and desire about fashion
items is to actually paint her own glamorous dresses, the ones not
found in any shop, or worn by anybody else.
A Minssen’s dress thus
becomes a statement of Being beautiful rather than Looking beautiful.
Zaza Minssen first London solo exhibition offers a glamorous selection
of paintings illustrating unusual dresses and Louis XV Fauteuil
armchairs.

AM I PRETTY IN PINK AND BLACK? MY SCOTTISH NIGHT
Mix media on canvas 146x97 cm Mix media on canvas 162x97 cm
EXPERIMENTAL TECHNIQUES
Zaza
Minssen is not the smooth jazzy kind of woman. She is more of a rock
and roll girl. She likes to push limits and she likes big space, bold
colours and complex textures. It is not about the surface of things but
rather about what the surface, the external aspect tells about
femininity.
There is also something extremely satisfying in the process Minssen
uses to play with the fabric and paint in order to create unique
textures and effects. Gluing , scratching, pealing the fabric in order
to reveal a surprising second skin can remind us of the exciting moment
of pleasure while undressing a female’s body. At the same time it
demonstrates a certain aggressiveness similar to the act of breaking
your own toy. Desire and rebellion are never very far from her spirit.
From a semantic point of view we are facing a reality where the
frontiers between painting and fashion are blurred.
FASHIONING HER IDEA OF FEMININITY
The
result of such experimental technique is that the surface of her
paintings look like Vintage painting-clothes, something which has
decayed in a way. This builds an opposition with the idea of Perfection
of luxury goods. It is also a statement
about Time: Fashion is
rooted in Time: it is either IN or OUT. By making her dresses vintage
and damaged, Zaza Minssen puts fashion into the Time of Painting, the
Time of things which last, the Time of objects we can look forever
without
thinking it is OUT of fashion!
Dripping
backgrounds using many thin layers of colours, transparency and grading
give a subtlety to her palette. Exploring new materials, like aluminium
and stainless steel to draw dresses constantly pushing the limits of
her visual language. These slightly acid shiny dresses
remind us of sweets and are also a funny reference to pop art.
Paintings
of Louis XV armchairs with zebra or red fluffy fabric, displayed next
to beautiful sexy dresses, Zaza Minssen ‘s collection makes you feel
you are in a luxury Salon Haute Couture trying on your next outfit for
a glamorous evening. With these extra-ordinary dresses Minssen seems to
have reached a a state of reconciliation with the idea of femininity
which makes her work blossom.
Without doubt the exhibition NOT READY TO WEAR will create a temptation to dress up your walls!
JUNGLE FEVER EASY TIGER
Mix media on canvas 100x100 cm
Mix media on canvas 100x100 cm
© Marine Gueguen Strage 2008